anniversary edition - “sgt. pepper’s lonely hearts club band” as you have never heard it before! new stereo mix by giles martin.

7th storey projects is pleased to welcome back the myor massiv head honcho for his 3rd release on our label. earlier this year, coco bryce travelled to tokyo and osaka for a small series of gigs. thoroughly impressed by his experiences there, upon returning home, he immediately took to crafting a slew of jungle and hip hop tracks, heavily influenced by everything he d seen, heard, felt and tasted in the land of the rising sun. the ep kicks off with its title track, ayakashi. dark, fierce and mysterious like the mythical creatures it was named after, it builds up slowly, utilizing a combination of chopped up japanese percussion, haunting flutes and hot pants breaks, before switching to full on amen assault mode halfway through the tune. shinjuku is one of tokyos most well known wards, and also the place where coco found the records from which the samples were sourced to construct this number: a turntablism beat/scratch album, and a compilation of traditional work songs, this particular one originating from the gold mines of the island of hokkaido. on the b1 track, kaguya, he takes a more gentle approach: sweet, yet melancholic, like the miyazaki movie of the same name. the ep is rounded off with hotaru, which borrows from an entirely different source of inspiration, namely dj krush s abstract take on boom bap hip hop. shards of mid-90s mo wax are blended with anime samples, making for a solid two and a half minutes of golden era-esque head nodding.

bridging instrumental tact with mysticism, afriqua debuts his anticipated aleph ep. finding a welcome home alongside r&s’s most innovative rhythmists and experimentalists. the berlin based producer has previously released a steady drip of high quality, unique music over the last few years that has brought him to the attention of r&s and led to this masterful, eclectic ep. aleph marks the first release in an extended collaborative journey between the artist and label

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

mtr025cd + mtr10 = cd + 12” bundle!

southern italian sociologist, dj and electronic music producer simone gatto is about to release his second album, heaven inside your frequencies, in december 2017. recorded and produced between his motherland and other significant spaces and cities the ionian coast and natural parks of lecce, his second home berlin, the whitney museum in new york city and other significant places heaven inside your frequencies represents a complete excursus of his personal and professional paths combining gatto’s theoretical background with personal and artistic maturity, achieved in the last decade.

known for housing a famous beastie boys sample, the reissue of the 1975 funk and fusion classic funk factory brings peerless polish and american players together for a groovy, eccentric journey. it was an album cut from this lp that captured a particular corner of the music-geek imagination for more than 40 years: “rien ne va plus,” from the self-titled 1975 album, had its reckoning with the canon when the dust brothers sampled major chunks of it for beastie boys’ “car thief.” “rien ne va plus” is a banger, all post-head hunters springy synth-bass. as for the rest of the album, funk factory can stray pretty far into the cheerier excesses of prog-jazz. it emphasizes the alluring strangeness of its more experimental moments, like the hallucinogenic haunted-house tour of “lilliput” or the banshee james brown vocal riffs on “horsing around.” “rien ne va plus” remains the top highlight. this album is proof that a core of musicians schooled in jazz but culturally steeped in the folk and classical traditions of eastern europe could, at least once, put out something that fit well with the crossover sound of the times while being unafraid to dive into freeform weirdness.
pressing on 180 gram audiophile vinyl.

skylax is proud to welcome a new member in the gang : demuja ! the austrian producer who did the vinyl only mary janes theory record caused something of a stir when it came out at the start of the year. clearly inspired by the raw classic deep house sound, his releases find a home also on other various labels such as freerange, house puff, traxx underground and legendary nyc house nervous. he gave us the chance to get 5 monstruous cuts straight from his basement (where he s doing his already cult videos showing his impressive skills as a producer). instant classic !

having spent seven years in his adopted home of london steadily crafting a hazy, ambiguous identity that fuses ambient onto drone and techno, tom hang (aka lobster theremin boss jimmy asquith) finally steps up to the plate with “to be held in a non position” - a melded one-take lp that explores extended themes of isolation, loneliness, personal loss, disconnection and reconnection with reality and (self)-identity.
through his long-lost label tidy bedroom - on which “to be held in a non position” will be released - tom hang engages in a more introspective path, exploring sonic territories that find an echo with dislocated past experiences, pushing physical and psychic boundaries to get at the crux of intimacy.

a collaboration fusing intelligent dance and hard bop jazz between electronic and techno producer max cooper, former belleruche singer kathrin deboer and jazz trumpet star quentin collins.
the tileyard studio complex in king’s cross is home to gearbox records and mark ronson’s zelig studios, where the tileyard improvisations was spontaneously performed and recorded live. the tracks highlight the extraordinary interplay between kathrin deboer’s sensational improvised vocal performance and the laser sharp lee morgan/freddie hubbard inspired hard bop trumpet of quentin collins, both perfectly set in the grooves and textures of max cooper’s remarkable mixes and soundscapes.
180gm 45rpm vinyl mini album includes free download code.

more classic, ghetto chi-town business from the dm vaults here - 2-bit project s (aka larry thompson of lnr fame!) bump that pussy ep is another hot, collectible entry into the dm catalogue. this special, enhanced 2017 repress version features all the og cuts (except 1 short skit) and boasts 2, yes 2!, exclusive extended edits from uk man of mystery and all round house digger extraordinaire jonny rock. if you know jr s steez then you know he knows exactly what is up with the underground. he s neatly extended the 2-bit originals (which were originally very short tracks!) and teased the funk outta the right crevices for all us lucky folks. if you like that raw, rugged, chicago, minimal fonk that dance mania are known for, you ll love this one. a killer, solid and in-demand ep. one for the headz. massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

translucent cyan blue 180 gram double vinyl in gatefold sleeve with download code included.

&#8232,,,,r&s welcome techno icon benjamin damage to the fold with his new montreal ep. one of most acclaimed young techno artists in recent times, benjamin damage is a perfect addition to the r&s roster.
as the first artist modeselektor signed to their hugely influential 50 weapons imprint, damage deployed his trademark heavy artillery beats over bold, blistering riffs and haunting, emotive melodies to devastating effect.
with the closing of 50 weapons, r&s offers a new home. his unique ability to deliver dancefloor destroying mayhem, dark atmospheres and richly textured melodies perfectly encompasses the music that has made the label timeless.

pierre bastien is a french legend that has collaborated with artists such as robert wyatt, jac berrocal and jaki liebezeit, to name just a few. he is also very well known for his compositions based on home-made mechanical instruments, designed and constructed by bastien himself. pure diy. using these instruments he would create a heady experimental mix incorporating poetry and some far-out music, all in all very intriguing and original indeed. needless to say when the notion of pierre bastien and versatile records potentially making a project together arose, it was a total honour! throw into the mix esteemed electro-acoustic composer eddie ladoire and now we ve really got something interesting. eddie and pierre met when they appeared on the same concert bill together and they decided to collaborate further with versatile being the platform for the fruits of this particular project. the original version of phantom dance is a beautiful piece where bastien plays a trumpet into some water blended with electronic drums and mellow organs lines, creating an otherworldly, subterranean jazz vibe for the freaks. suzanne kraft, the la native / amsterdam based producer turns the original into some mechanical broken funk vibes while rotterdam s oceanic delivers 2 fresh, reimagined versions. one for for the club with a strong afro beat feel while the other one is a slower affair for the after hours. both mixes bringing something new to the table. a truly original and interesting release from some very talented people, for those with open ears and open minds!

having cruised around labels such as la luna, tusk wax and most tellingly back to the balearics, maricopa has already left a trail of smooth-sailing breadcrumbs behind him, and now he drops anchor in a harbour which may yet prove to be his spiritual home. is it balearic? is a question that hardly needs to be asked when you re drifting out to sea on the blissful tones of benthos or reveling in the expressive ripples of deer, but it s safe to say these jams would go down smooth with a mediterranean sunset and an aperol spritz.

»absolute treasures« ist eine erweiterte wiederveröffentlichung des soundtracks zum vierzigsten jubiläum vom 1975 erschienen kult-musicalfilm »the rocky horror picture show«. das album enthält alle tracks aus dem film, auf rotem vinyl, von beginn an, einschließlich planet schmanet janet, once in a while, the sword of damocles und planet hot dog!

limited to 300 copies. rising talent aleks joins jeremiah r, hvl, dj guy and mnlth in the organic analogue realm of spiritual sonic exploration. the amsterdam-based producer has already made a name for himself in the past few years with his penchant for sci-fi imagery and impeccable hardware jams, hence he feels like a natural fit for oa. this double lp release provides the chance to hear some of the breadth in aleks productions, from ambient submersions to detroitian techno and sharp edged 303 resonance that skirts the divide between jacking club material and emotional content.

idle hands continues its quest to support new talent coming out of bristol with a fresh 12inch from local beatsmith crump. up to this point, he s been quietly slipping out razor sharp reduced house cuts on various artist releases for extended play and banoffee pies, but it s high time he had a 12inch of his to truly showcase his sound. the two tracks on this single tap into a consistent thread on idle, fusing the minimal sensibilities of contemporary european house music with a swung, dub-weighted presence fit for soundsystem consumption in the fair city we call home. much like previous releases from leif, christian jay and matt karmil, this is a demonstration of stripped down music loaded with swagger. -ice & spheres- pivots around an ear-snagging 2-step shuffle that cuts through any mix, but there s scores of subtlety woven in between the drums to reward the attentive listener. snatches of vocal, distant field recordings, low-blowing synth licks and other unidentifiable sonic matter lurk quietly in the mix to cast a spell on the sleep-deprived twitcher and warm-up head-nodder alike. sporting a brighter disposition thanks to the sheen of its chords, -mechanisms- provides a different vibe on the flip. the beat throws down with a rugged nod to west london broken styles while still tapping into that aforementioned continental 4/4 sensibility, injecting a refreshing variation into the densely populated minimal house landscape while maintaining the meditative qualities that keep the genre close to our hearts

the third release for la freund recordings comes from amsterdam resident beraber. consisting of four strong and diverse tracks and a jazzy, piano-heavy remix by chicago house legend vincent floyd, sun ritual works just as well in the club as it does at home. after working on hiphop and downtempo electronica under different aliases, this ep sees baris akardere venturing into up-tempo territories, marking the debut of his beraber moniker. all tracks were written and produced during the last two years, combining digital instruments like the korg m1 and yamaha dx7 with analog gear like the roland juno-6 and korg ms-10. kicking things off on the a-side is title track sun ritual, a positive and warm tune with lush chords and arpeggiated synths. after a surprising outro, it gets the remix treatment by deep house pioneer vincent floyd, who adds multiple layers to it and delivers a stunning, dreamy eight-minute take on the original. the flipside opens with ugly, a soulful club workout with a deep bassline, rolling drums with crisp hi-hats and a hypnotic melody. next up is introspect, a serious electro-tinged cut with heavy juno chords building up tension as the track evolves. rounding it up nicely, forest rain treats us to an intimate broken-beat affair laced with rhodes chords and field recordings from bali.

the uks best kept secret chocky returns to dessous recordings after the success of his first outing, the well received self knowledge ep. here we see the talented dj / producer drop four tracks via the playtime ep - yet more sublime house music for steve bugs imprint. ‘double dip is a chunky, stripped down vibe, reduced the vitals that will slay dancefloors - firing percussion over a shuffling groove and a cut-up vocal reminiscent of pepe bradock. ‘organism is a deep affair - spacy pads provide the counterbalance to the tough drum track, softening the edges but keeping the vibe high. ‘soul alive taps into chockys clear appreciation for the 90s, with a strong vocal, atmospheric strings and a loose yet crispy beat. ‘playtime (dub) brings the whole ep home with yet another stormer - beginning as a driving basement jam but then introducing an unexpected piano riff that flips the script and takes things in a welcome jazzy direction.

the 1971 album from paul and linda mccartney back on 180 gram vinyl, remastered at abbey road studios. housed in a gatefold sleeve

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

following a double dose of newfound los angeles talent, apron records founder, steven julien (aka funkineven) returns home with the debut release from london-based enigma, molinaro. apron 35 is classic apron records material five slabs of soul-drenched techno anchored by groove and grit from a new name with plenty of experience. molinaro who has honed his production and djing craft for over a decade is one of the capital s best technicians behind the decks. a skill most recently recognised by nts radio, who rewarded him with a regular monthly slot on the airwaves. the first of which shot straight into the nts picks for the week. opener gio cements the tone from the off, drifting in with warm, enveloping pads, quickly joined by beefy drums and percussion in a five-minute sprawl out. jtl is arguably the standout a boogie-influenced roller aimed at prime time dancefloor. ty and -molow showcase the deeper, moodier face of molinaros sound palette before the beatless sofar rounds things out, paying homage to ryuichi sakamotos synth brilliance.

it s quite some years after starburst , the first record on internasjonal the japanese duo traks boys, consisting of kawasaki based producers and djs crystal and k404 did for us. but a short 7 years down the road the magic is still there. be with you and weekend lights are mesmerizing, sparkling with creativity and beauty. be with you is modern disco cut up of the finest while weekend lights is a hypnotic stringinfected warm groover that we can t get enough of. finally weekend (light) lover and friend of the house axel boman takes it all home in the biggest of ways. reduced with care and then build up again to one the neatest breaks that we heard this year.

pelerin s first release presents the bewildering works of brind, also known in certain circles as ban ditman, a friend of both classical influences and soundly crafted electronica alike. -hribi in noapte- ep shapes the tone of a well thought out concept, using melody and harmony as the center piece of creation. a side - -glotas in tarziu- grabs hold of the essence of the ephemeral human existence, capturing tales of long forgotten ache and nostalgia, making for an excellent after hour tool. flip to b and we have -lacul norilor-, an even more organic piece uplifting us with voices of angels speaking of hope and heavenly landscapes as the waves slowly cover the shore. excellent moments for both dancefloor and late nights at home with friends, vinyl only with original artwork.

all flowers in time is the debut album from space captain, built around the themes of love and nostalgia with a pinch of bitterness and betrayal. with intricate arrangements of fluttering guitars, sparkly keyboards, and cyclical layers of background vocals, all bound together with dreamy indie-pop melodies for a sweet curve-ball of a finish, this beautifully crafted release takes the brooklyn 7 piece to new heights. extensive influences range from thundercat through amy winehouse to bon iver, but space captain are never anything but themselves, as this release shows. it sees the band moving away from the electronic and experimental sounds of their previous ep, instead taking them back to when they first formed, whilst also pushing the boundaries of their familiar r&b realm. for the band, all flowers in time quite literally signifies the flowering of their careers and the work they have put in to get there

nice price deal !!! played by: ben klock, len faki, martyn, basic soul unit, anton zap, angel molina, luke hess, scuba, fred, john harvey /dimension 5 (delsin).

ben jacobs aka crackazat first made a name for himself when he was still living in bristol and released on ep on the city s futureboogie label, which has also signed music from the likes of julio bashmore, crazy p and outboxx. early in his career crackazat was also the official warm up act for an at the time up and coming artist called floating points, who now needs no introduction as one of the world s leading electronic music producers. moving to sweden shortly after the futureboogie release, crackazat made contact with the local talk owners mad mats and tooli, and after a couple of single/ep releases signed his debut solo album crescendo. the last couple of years crackazat has had an explosion of global popularity, which has led to playing gigs all over the world, and releasing tracks and remixes on labels ranging from josh wink s ovum, joey negro s z records and eureka in japan. classically trained with a strong jazz influence, crackazat has a distinctively individual sound that fuses funk with soulful vocals and the electronic bass music associated with his former home of bristol. eloquent and intelligent, rainbow fantasia is a masterpiece that showcases one of electronic music s most exciting talents.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

33 sinatra classics on double vinyl lp, housed in a gatefold sleeve.

if you want something done right, sometimes you just have to do it yourself. in a world filled with false gurus and misguided leaders, so goes the mantra of the new york duo walker & royce. after a swift rise in recent years during which time they pioneered a sound that is often imitated but never replicated sam walker and gavin royce have used this mantra as the impetus for their debut album self help, on their label home dirtybird. in order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one. walker & royces signature production is in exceptional form on their solo tracks, such as why tho, warkin it, best track ever and sunday. the way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: will we play this? the pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. the legendary green velvet lends his vocal talent to rub anotha dub, and longtime friend dances with white girls appear on two memorable tracks, including the hit single take me to your leader. other collaborators such as sophiegrophy, oncue, forrest and mr. jpatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the self help masterpiece. the road to self-discovery is filled with many bumps and obstacles, but with self help, walker & royce have proven that theyve got the keys and in the driver’s seat

the new nickelback album as limited edition red & black marvbled vinyl with download code included.

yet another solid gold modern reimagining of the mighty loleatta holloway, this time her infamous 1977 smash hit & run goes under the knife and is tweaked to devastating effect by 2 of chicago s finest modern day editors - jamie 326 & cratebug. anyone with even a passing interest in disco or house will be more than familiar with these 2 guys names. having edited and remixed numerous cuts in their own original ways, they take this all-time salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. this edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the windy city and naturally it was one of the cuts that stood out, finding favour with a wide variety of dj s across the board from motor city drum ensemble, todd terry, jeremy underground paris, theo parrish and more. drawing comparisons with paperclip people s anthemic throw from 1994 in the way it snatches a killer loop from hit & run s bassline, hit it & quit it is a monster, a record you ll literally play over and over and over again, a relentless disco juggernaut that oozes power. it made perfect sense for this legit single-sided reissue 12- to come out on salsoul records, the home of loleatta holloway s finest material and all of her classics. this limited reissue has been made in conjunction with jamie 3:26 & cratebug and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

new long player from manchester s claro intelecto. entitled exhilarator , the 13 track album marks a return to action for the esteemed producer. a cinematic album of icy techno, weighty bass and poignant melody. from plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don t let up, this is a diverse album in both mood and texture. moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. stewart s mission to step outside his usual self has resulted in another landmark electronic album. killer release!!!

music for dreams is proud to announce the new album by danish legend dub tractor. one of the founding fathers of electronica in denmark in the early 90s, anders remmer has remained a reluc-tant beacon of copenhagen’s scene ever since, with his musical legacy still a work in progress. as well as being a member of future 3, remmer has released material under a number of different aliases, but his most frequent guise dating back to 1994 has been dub tractor. under this name, he gently crafts complex yet warm and organic electronic music that flirts with ambient, dub and idm. with “hello ambient wash”, the first dub tractor album since 2009, remmer explores further the possibilities of dub tractor after the more pop-oriented & shoegaze-flavoured approach of his last album -sorry-. in addition to new material, the second half of “hello ambient wash” presents a ret-rospective of hand-picked tracks from his first three albums on flex records (the label which music for dreams founder kenneth bager ran with ole mortensen from 1994 to 2007). ... bonus info: nils frahm is a fan.

zweites soloalbum der ladytron-frontfrau marnie nach dem vorgänger -crystal world- (2013). auf -strange words and weird wars- präsentiert die neu-londonerin 10 neue songs mit eingängigem electro-dream-pop, stilistisch irgendwo zwischen la roux, ellie goulding und kylie minogue. ps: die limitierte lp-auflage erscheint sowohl auf schwarzem, als auch auf weißem vinyl, beide varianten sind aber unsortiert miteinander per zufallsprinzip vermischt, so dass jederr kauf ein einmaliger glücksgriff wird.

perpetually locked into a disco groove, pete herbert has already impressed this year with the splendour of his releases on nang alongside martin denev, but on this new 12inch for riot gear he s stepping out on his own. the record actually leads in with the plush, romantic throb of the yam who? remix of -expresso before the original takes over with a more peppy, borderline hi-nrg approach. on the b side bottin gets to take no big thing to task with a version rich in electro funk synthlines, while the original sports some piano house chops and enough sizzling dancefloor energy to ignite a ruckus in a retirement home.

the dekmantel selectors compilation series is set to continue with a highly anticipated edition curated by joy orbison. first announced in 2015 when the selectors project was unveiled, the fourth compilation in the series finds the singular uk talent curating a sort of tribute to his home country and its rich musical history.

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

das akustik-album zum 30-jährigen bandjubiläum als 3-fach vinyl im klappcover.

award winning soundtrack from producer t bone burnett. featuring the legendary music of johnny cash, plus classic rockabilly and country tunes. with performances by joaquin phoenix, reese witherspoon, tyler hilton & more.

reeko comes home again with his brand new ep, one step more in his tremendous discography and again a statement of modernism, soul and anger, all in one. four different flavoured cuts of meticulously crafted club tracks, dense, obscure, liquid, sometimes harsh and incredibly sounding.

ltd 2017 repress - as well as steering stripped & chewed, garrett david has been holding down a residency at chicago s smart bar for some time. on a roll following an appearance on distant hawaii, the time finds the producer in fine fettle with a classic approach to deep house clearly born out of the city he calls home. -the time- is a shimmying jam powered by crafty dub processing and a steady hand on the arrangement, while -sea shell- is a more passionate affair that swoons through key changes. the night sea journey remix of -the time- is a more brooding affair punctuated by synth accents for a deeper end result.

remastered reissue of boutz two recordings originally released on tape cassette. all titles composed, arranged, recorded live, engineered and produced by georges boutz at home studio, from july 1981 to april 1983 (amber 7) and between january & march 1984 (silver eagle). weird spacey synthesizer sounds.

re-issue of boney m’s christmas album from 1981. high resolution mastering from the original source.

the global phenomenon continues! classic elvis presley christmas songs reimagined by the royal philharmonic orchestra.
the vinyl release includes a download code.

gil scott-heron’s 1974 album available on vinyl again.